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 Dickeyville Grotto by Mark Doty 
						The priest never used blueprints, but worked allthe many designs out of his head.
 
 
 Father Wilerus,
 transplanted Alsatian,
 built around
 this plain Wisconsin
 
 redbrick church
 a coral-reef en-
 crustation--meant,
 the brochure says,
 
 to glorify America
 and heaven simul-
 taneously. Thus:
 Mary and Columbus
 
 and the Sacred Heart
 equally enthroned
 in a fantasia of quartz
 and seashells, broken
 
 dishes, stalactites
 and stick-shift knobs--
 no separation
 of nature and art
 
 for Father Wilerus!
 He's built fabulous blooms
 --bristling mosaic tiles
 bunched into chipped,
 
 permanent roses---
 and more glisteny
 stuff than I can catalogue,
 which seems to he the point:
 
 a spectacle, saints
 and Stars and Stripes
 billowing in hillocks
 of concrete. Stubborn
 
 insistence on rendering
 invisibles solid. What's
 more frankly actual
 than cement? Surfaced,
 
 here, in pure decor:
 even the railings
 curlicued with rows
 of identical whelks,
 
 even the lampposts
 and birdhouses,
 and big encrusted urns
 wagging with lunar flowers!
 
 A little dizzy,
 the world he's made,
 and completely
 unapologetic, high
 
 on a hill in Dickeyville
 so the wind whips
 around like crazy.
 A bit pigheaded,
 
 yet full of love
 for glitter qua glitter,
 sheer materiality;
 a bit foolhardy
 
 and yet -- sly sparkle --
 he's made matter giddy.
 Exactly what he wanted,
 I'd guess: the very stones
 
 gone lacy and beaded,
 an airy intricacy
 of froth and glimmer.
 For God? Country?
 
 Lucky man:
 his purpose pales
 beside the fizzy,
 weightless fact of rock.
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